Late developersThe contemporary vision is illuminated, though, by ‘then’. Where a little bit of the former Not connected “Young and stupidBounced around the trapdoor of nostalgia with all the sneaky sunshine of Bill and Sebastian in the mid-2000s, here References Milne AA “When We Were Young” is a moody, piano-based number that might hit early fans close to home. Murdoch’s narrator, a desperate traveler who can’t muster two cinnamon rolls from his former creative passions, eloquently longs for contentment in routine—in “Football Scores” and “My Daily Worship of the Semitic”—but sorry, too bad: “we’ve got kids and a dystopia.” ,” sings the first man who recently turned 54. A different kind of time warp occurs in “When the Cynics Stared Down the Wall,” a previously unreleased song written around 1994. Tracien Campbell, of the much-missed Glasgow band camera obscura, it has the feel of a lost classic: choosing the B-side or soundtrack you’ve somehow slept on for 25 years. But her stubborn insistence on fidelity, delivered by middle-aged adults who know too well about plagues and political collapse, feels earned as it might once have sounded naïve.
as in a little bit of the formerBill and Sebastian co-write songs throughout Late developers, and Murdoch isn’t the only longtime member to capture the album’s spirit of societal urgency and déjà vu turmoil. violinist and co-vocalist Sarah Martin, who has been in the band ever since If you feel bad, seizing on the old B&S’s Sunlight for “Give a Little Time” to make its paradoxically compelling case for leaving the past in the past. As the bass thumps over the soulful disco of “Do You Follow,” a call-and-response affair that evokes 2004’s spy-funk non-album gem “Your cover is blown, “Martin gets a blunt beat: Murdoch, asking what should be a universal question, sings, ‘Is it me or is it just the world that’s changing? ‘” Martin, who seemed unimpressed, replied, “My money’s on you.”
With 11 songs and 43 minutes, Late developers Filled with moments where the band’s on-the-fly energy and direct reflections collide in unforgettable ways. Opening with blaring electric guitars, “Juliette Naked” is all the better for a meditation on Murdoch’s rich visions of “Quicksand of the Battlefield,” “Prayers and Pills,” and “Who…Will you love me tomorrow?” Songwriting duo. In the indie theatrical dance-pop “When You’re Not With Me,” Martin displays to “stop the clock/And make a moment between tick and tock”—a particularly impressive way to revisit another long time Pet anxiety. The closing title track, with its trumpets and gospel-backed vocals, is so upbeat and green that more than a few in Bill and Sebastian’s demographic might be reminded of encanto End credits. But it is also a convenient way to relieve the burden. Building on the latest album under attack”Do it for your country’, where Murdoch compares himself to ‘a lobster in a bowl / A songbird in a gilded nightmare’, he sings here, ‘Who said I had the wisdom, do I have the answer? / Wasn’t it me. “
Proof of Murdoch’s endearing openness to fallibility is Late developersThe first single, “I Don’t Know What You See in Me”, was uncharacteristically penned with an outside co-writer, Peter Ferguson aka Woo-Oh. Easily digestible synth-pop with a palm-crushed guitar core and an insanely catchy refrain, it feels like a late-career attempt to indoctrinate new cult members. What risks being a flashy embarrassment should end up as the band’s new debut success. Bill and Sebastian have always focused on communication and on Late developersThey are humble about sharing that bond and generous in promoting it.
All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.