rogue one Distinguishes himself from others star Wars Movies seconds after they started. There is no open crawl, and no wall of yellow line drifting into a star field. The franchise logo does not appear, nor does the John Williams fanfare. There’s just a title card telling viewers that “A long time ago in a galaxy far, far away” – then bam: Work begins.
Introduction taking place at the height of the empire’s military power, 2016 rogue one It tells of how the Rebels came to possess the Death Star’s plans. But beyond that connective tissue and galactic environment, the movie bears little resemblance to earlier tales of Jedis, Sith Lords, and Chosen Ones. It primarily follows a host of new characters, none of whom are named Skywalker, Solo, or Palpatine. Strength is indicated but not used. rogue one It aims, in the words of director Gareth Edwards, to portray the “reality of war” and thus has a tone darker and more melancholy than that of the others. star Wars Movies.
Not that these differences were significant at the box office. Released with subtitle a star Wars a storyThe film grossed over $1 billion worldwide, becoming the 20th highest-grossing film of all time during its debut run. Since it was re-release in theaters at the end of August, rogue one She added another milestone to her sales tally, storming List of the top ten employees of IMAX—A promising signal for the upcoming Disney+ series Andor.
star WarsOf course, always good job. But continued success rogue one It doesn’t just come from its association with known intellectual property. Nearly six years after its initial release, the film stands apart as a rare project the franchise has already justified its existence. Today’s pop culture is awash with cinematic universe expansions, many of which feel like unnecessary delivery machines rather than original stories set in a famous world. rogue oneIt, though, is a secondary offering that doesn’t sound like an imitator. In fact, looking at how the latest trilogy star Wars Films concluded, the film can be considered a small miracle.
Consider what the movie looks like. Each prequel or sequel should cut the line between being new and familiar. Many of these projects believe that building the world simply means including fan service engraving and references along with sprinkling of random new details. despite rogue one Wink several times at fans who regularly review Wookieepedia (look, blue milk!), the movie isn’t just enough to remind viewers that they’re watching star Wars Movie. It strives to evoke the joy, awe, and excitement of discovery that this universe evokes at its best. The visual language of the original trilogy paints a stark contrast between the loss of the inner life of a spacecraft and the terrifying and astounding expanse of space. rogue one It does the same thing, devoting a lot of screen time to creating volume and texture. However, it also differentiates itself by playing with audience expectations: the movie is devoid of George Lucas’ transitional wipes. The X-Wing raid takes place at night. A great fight ensued on a sunlit beach dotted with palm trees. Darth Vader’s massacre of rebel forces takes place in a cramped lobby. These shots fascinate with how classic components and characters are put into surprising contexts.
The new characters, meanwhile, are not only new – they are very ordinary, which is an unusual trait for her star Wars Ansar. rogue oneThe heroine, Jane Erso (played by Felicity Jones) is not a princess. I started the movie as a disappointed person, not interested in leading or helping anyone. Diego Luna’s Cassian Andor is a leader in the Rebel Alliance, but he makes it clear that his story is nothing special: his remorse for what he did in the war reflects the feelings of countless other fighters. Even K-2SO (voiced by Alan Tudyk), the imperial robot reprogrammed to assist Cassian, is defined by deep human motivesHe sacrifices himself for the greater good, thus becoming just another victim of a nameless war.
When the film was released, many critics saw these archetypal features as a weakness, arguing that the new characters felt shallow alongside the backstory-laden Skywalker types. But Jin’s crew allows it rogue one to observe the world star Wars From an unexpected angle: the ground-level, chlorine-free, soldier’s perspective without a lightsaber, where decisions must be made based on intelligence and where, often, the moral compass is the only reliable tool available. In the ever-growing library of benefits, rogue oneThe ‘Quidian’ daily collection looks fresh: These characters are not royal. She is not related to anyone the fans have previously met. They don’t have superpowers in any way. In fact, they have very little power at all.
Of course, it is impossible to discuss these characters without indicating the way rogue one Ends: dead all of them. The film concludes with a gift that affirms the hope their mission has brought to the Rebel Alliance, but the end of their stories is difficult. The movie’s audience knows that the central mission of the characters will succeed, but rogue one He uses that to his advantage, to enrich both the story you tell and the larger universe you serve. nothing else star Wars The film so deeply depicts the actual brutality of war, that few franchisees have dared to kill so many permanently so quickly. in Heavenly RiseThe Sith Lord Palpatine returns”Somehow. “Every dusty character in the Marvel Cinematic Universe makes it okay. Even the humans in jurassic world Don’t eat anymore. rogue oneThe deaths of dead people show the daily toll of the conflict that is on the back of each person star Wars Movie.
Back in 2016, rogue one He was haunted by the headlines about the reshoots as well as worries about whether star Wars Films should be consideredPolitician. Rewatching it recently, I can hardly remember the movie going through any backstage turmoil. It might be a file star Wars story but rogue one He went, well, wicked — to the kind of results no franchise has come close to achieving since.